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The Lazarus Project On Set DIT, Video Playback About George wakes up one day to find himself reliving a day from months ago, with many of his recent milestones, such as a promotion and his wedding, have been undone. Worst of all - no one else seems to have noticed. George only begins to understand when he meets Archie, and is recruited for The Lazarus Project - a secret organisation that has harnessed the ability to turn back time every time the world is at threat of extinction… Mission provided On Set DIT Services and Video Playback on The Lazarus Project, beginning the shoot with DIT Jordan Wallace and Video Op Lewis Williams, and finishing up with DIT Alican Halaçeli and Video Op Christian Roberts. Director Shaun Liuans Cinematographer Philipp Haberlandt - Block 1 Árni Filipusson - Block 2 Richard Stoddard - Block 3 Production Company Urban Myth Films for SKY Mission Talent On Set DIT Jordan Wallace Alican Halaceli Video Playback Lewis Williams Christian Roberts Shooting Format Arri Mini LF LF Open Gate 4.5K Links https://www.imdb.com/title/tt6726322/ 1/4

The Swimmers On Set DIT, Digital Dailies About Based on a true story, this film follows the inspirational journey of two young sisters, Yusra and Sara Mardini, as they go from fleeing war-torn Syria as refugees all the way to the 2016 Rio Olympics to compete in swimming. Mission was delighted to provide On Set DIT and Digital Dailies Services to The Swimmers in both the UK and Turkey. Not only did we get to work again with good friend and client Chris Ross BSC, but it also allowed us to play a part in bringing this motivating and deeply moving story to the big screen. Thomas Patrick was the On Set DIT for the London leg of the shoot, with James Ian Gray operating the Digital Dailies Lab from our Shepperton Studios office. During the Turkey stint, Alex Golding fulfilled On Set DIT Duties and Jerome Smith operated a custom built Near Set Lab. Director Sally El Hosaini Cinematographer Chris Ross BSC Production Company Netflix Mate Pictures Ltd Mission Talent ON SET DIT London - Thomas Patrick Turkey - Alex Golding LAB OPERATORS London - James Ian Gray Turkey - Jerome Smith Shooting Format Sony Venice Links https://www.imdb.com/title/tt8745676/?ref_=nv_sr_srsg_0 1/4

This Is England '90 On Set DIT, Digital Dailies About Bringing Shane Meadows’ cult classic story to a close, This Is England ’90 takes us back into the lives of his beloved characters one last time. Recreated with the same level of realism and care as previous instalments, this nostalgia trip is every bit a work of art and something we are very proud to have been involved with. Mission Digital worked with the truly talented Stuart Bentley to provide complete control across the on set colour pipeline, offered continuing support throughout the shoot and was responsible for the final archive to LTO. Director Shane Meadows Cinematographer Stuart Bentley BSC Production Company Warp Films Mission Talent On Set DIT: Thomas Patrick Shooting Format Arri Alexa – ProRes Links https://www.imdb.com/title/tt2528254/ 1/5

The Rescue On Set DIT, Video Playback About The Rescue is a feature length documentary that revisits the 2018 rescue of 12 Thai children that were trapped in a flooded cave. Directed by Academy Award winners Elizabeth Chai Vasarhelyi and Jimmy Chin, and with exclusive access, the film shows us first hand the huge effort and dedication of the rescue team over the two week rescue that captured the attention of worldwide media. Mission supported this shoot with DIT services, led by Anthony Dias, throughout the years long shooting process. Director Elizabeth Chai Vasarhelyi and Jimmy Chin Cinematographer David Katznelson, Ian Seabrook, Picha Srisansanee Production Company National Geographic Documentary Films, Ventureland, Mount Pleasant Studios, Passion Pictures Mission Talent On Set DIT: Anthony Dias Philipp Morozov Thomas Patrick Video Playback: Alex Dias Shooting Format Sony Venice Links https://www.imdb.com/title/tt9098872/ 1/5

My Policeman Video Playback About This romantic drama, based on the novel by Bethan Roberts, follows Tom Burgess - a policeman living in 1950s Brighton who is secretly dating museum curator Patrick. Given the societal pressures of the time, Tom marries Marion, a teacher, to hide his relationship with Patrick. However, this secret soon starts to threaten all three of them. Mission provided Video Playback services to My Policeman through playback Operator Alex Dias. Director Michael Grandage Cinematographer Ben Davis Production Company Amazon Studios Mission Talent Alex Dias Shooting Format Alexa LF Mini Links https://www.imdb.com/title/tt13139228/ 1/2

ABBA Voyage On Set DIT, Digital Dailies About ABBA Voyage is a live concert experience like no other - Agnetha, Björn, Benny and Anni-Frid have been recreated using the latest motion capture technology, blurring the lines between the real and the digital. ABBAs youthful avatars will be playing a collection of hit songs accompanied by a 10 piece live band. Mission was delighted to provide On Set DIT services and a Near Set Lab for a portion of the project with technicians James Ian Gray and Niall Todd, as well as Missions state of the art platform, Origami Phoenix, delivering automated conform and VFX Pulls Director Baillie Walsh Cinematographer Pär M. Ekburg Production Company Aniara Mission Talent James Ian Gray Niall Todd Shooting Format Arri Alexa SXT Links https://www.imdb.com/title/tt20596584/ 1/5

Boxing Day On Set DIT About New Christmas movie ‘Boxing Day’ follows Lisa and her British fiance Melvin - comfortable in their life in Hollywood, things take a turn when the two of them head to Melvin’s hometown of London for Christmas so Lisa can meet his family. The holidays turn chaotic when they run into Melvin’s famous ex-girlfriend, Lisa. Mission assisted in bringing Boxing Day to life though On Set DIT services, provided by Jacob Robinson and DIT Cover provided by Garry Maddison. Director Aml Ameen Cinematographer John De Borman Production Company BFI Film 4 Mission Talent Jacob Robinson Garry Maddison Shooting Format Sony Venice 4K Links https://www.imdb.com/title/tt13659918/ 1/2

You Should Have Left On Set DIT, Video Playback, Digital Dailies About You Should Have Left is a psychological horror film produced by horror specialists Blumhouse Productions. The movie stars Kevin Bacon and Amanda Seyfried and was shot in Wales and London. Leading the look of the shoot was cinematographer Angus Hudson BSC, with DIT Jacob Robinson on set, with Lewis Williams offering QTAKE Video Playback. Mission ran the dailies lab for the shoot from its London HQ, led by lab operator Niall Todd. Director David Koepp Cinematographer Angus Hudson BSC Production Company Blumhouse Productions Universal Pictures Mission Talent On Set DIT Jacob Robinson Digital Dailies Lab Operator Niall Todd Video Playback Operator Lewis Williams Shooting Format Arri Alexa Mini Links https://www.imdb.com/title/tt8201852/ 1/2

Paddy Power 'Feel Like a Favourite' On Set DIT About ​ Director Keith McCarthy Cinematographer Christopher Sabogal Production Company Stink Mission Talent Ash Daniyan Shooting Format Alexa LF Links 1/2

Collateral On Set DIT About With a stunning performance from Carey Mulligan, Collateral is a 4 episode drama made for the BBC and Netflix. As a pizza driver is murdered, a mystery unravels into becoming a state of the nation conspiracy. The great cinematographer Balazs Bolygo shot this stunning drama, with our DIT’s Alec Garner and James Ian Gray taking care of the digital imaging duties. Director S.J. Clarkson Cinematographer Balazs Bolygo BSC, HSC Production Company BBC Netflix Mission Talent On Set DIT Alec Garner James Ian Gray Shooting Format Sony F65 4K RAW Links http://www.imdb.com/title/tt6729080/ 1/4

North Star On Set DIT, Digital Dailies About In what is set to be Kristin Scott Thomas’s directorial debut, North Star follows three sisters, who have taken wildly different paths in life following the death of their father and stepfather, as they return to the English countryside for their mothers third wedding. Mission provided both On Set DIT services and Digital Lab Services for North Star, through DIT Joe Lovelock and Lab Operators James Ian Gray and Raquel Martin. Director Kristin Scott Thomas Cinematographer Yves Belanger Production Company Cape Runaway Productions Mission Talent DIT - Joe Lovelock Lab Operators - James Ian Gray & Raquel Martin Shooting Format Arri Alexa Mini Links https://www.imdb.com/title/tt20911974/?ref_=nv_sr_srsg_0 NorthStar_hero.jpg NorthStar_hero.jpg 1/1

From first call to delivery to post... How to become a Near Set DIT As the digital age grows, the role of a DIT is becoming more of a necessity on all levels and in all genres of productions. Due to the pressure of content creation, people are having to step up in their roles and capabilities at a rapid pace, often too early. It is now time to take action to make sure that our future talent are ready for the challenge and feel confident to grow within this industry. Supported by Screenskills as part of the BFI Future Film Skills programme using funds from the National Lottery, Mission will be creating a new and FREE training course about how to become a near set DIT. This programme will be part of the Continuing Professional Development (CPD) grant where the aim is to support up and coming talent who have a keen interest in upskilling within the screen industry and for this particular training who want to learn and grow to become a Digital Imaging Technician (DIT). Our Mission The lack of training for such niche roles has meant that many have had to teach themselves on the job, often under pressure, working long hours, without support. This training is available for anyone in the UK as most of the content will be delivered online. The idea is you can study and work at the same time. We will then cover any cost for the in-person training in January. Mission believes that it is important to offer accessible educational training for technicians who play such a vital part in being responsible for taking care of the footage of an entire production. We also believe and have proven, that by creating a safe, less stressful environment, providing both technical and emotional support / resources that both experienced and trainee talent can have what they need to succeed, from putting theory into practice, providing answers to all questions and being there to solve problems. ​ The main aim of this training is for all the candidates on completion of the full course to feel ready and confident to be hired as a near-set DIT. We hope that at the end, the participants will be able to confidently download, transcode and have an introduction to colour management (CDL applications). Vision ​ We will create new and exciting content for this course which will include some reading materials as well as industry professional testimonials from companies and freelancers. The course will be divided into different sections that will take the candidates from first point of call to on set to delivery. Through these sections we will cover topics such as, “how to prepare the workflow call”, technical / theoretical knowledge that all DITs need to know about cameras, cards, hard drives etc…, introduction to software, virtual production and much more. Our sections will be divided as follows: Section 1: Preparing your workflow Section 2: From prep to on set Section 3: On set - Production shoot Section 4: The Wrap Up All theoretical material will be released in order between the period of Mid November - December. We will also invite participants to join live Q&As to ask any questions they may have about certain topics. All participants will then be invited in January to a 2 days in person training to put their theory to the test and play around with top DIT equipment. A third day will be available for anyone who has learning differences and may need additional support. We will also be looking at creating a community with the participants by inviting them to be part of an online group to support one another throughout this programme as well as have access to industry professionals for further help. Timeline Who are we looking for... This training is designed for people who already have some experience on set as a DIT Assistant, Data Manager (download only or recently learnt how to offload and transcode) and other junior camera department team members who have an interest in data management. Depending on their background we will also accept applications from candidates who have an editorial background who can often act as a Data Manager when that role is not filled or budgeted for on a production. Through this grant from Screenskills, Mission and participating partners are hoping to make this training available for up and coming talent who want to be either independent DIT freelancers or who may be interested in joining a company like Mission. We will offer different industry professional perspectives so the successful participants will get the chance to choose their journey. How To Apply? Please note that for this particular opportunity there will be limited places available. Applications will close on Thursday 10th November at 10am. Click “apply now” and please fill in the online application form and make sure you upload your most up to date CV. We will be reviewing CVs and inviting candidates that meet the criteria for an interview before making the final decisions. This training is completely free and the grant will cover costs for everyone to travel to the relevant in person training locations. ​ If you have any questions please contact Ingrid, the Project Manager at training@missiondigital.co.uk Apply Now Industry Testimonials from Independent Freelancers and more to be announced...